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Experimental Music and Art (EMA) Expo 2021

09 May 2021
Experimental Music and Art (EMA) Expo 2021

From April 20 to May 16, 2021, the Experimental Music and Art (EMA) Expo project will be held at the Educational Center of the Moscow Museum of Modern Art, in which 11 artists from Switzerland, Germany, Argentina and Russia study the current aspects of the social agenda through the language of sound, digital and technological art.

Together with an international team of curators, they reflected on "superfluidity" - constantly mutating forms of feeling of oneself and time and the unpredictability of external and internal processes, at the epicenter of which is the modern man. Five floors of MMOMA in Ermolaevsky will turn into a border space between the physical and digital worlds.

The focus of the exhibition is the combination of modern man and technology in a moment that artists rethink in their works. The unpredictability of processes, constantly changing forms of feeling oneself and the perception of time merge into the so-called superfluidity: mobile, inhomogeneous, not closed on itself. Technology allows artists to advance faster than the crises facing society. According to exhibition curator Peter Kirn, electronic media art has already gone through phases of self-reinforcing novelty, self-referential irony and even retro-mania. Now these tools are merging with cultural language, a powerful tool for influencing changes in society as a whole.

Boris Shershenkov's research project examines the processes of the origin and development of the first representatives of technobiological forms of life: the viewer will see samples of electroflora collected in various regions of St. Petersburg, and will be able to hear the electromagnetic manifestations of their vital activity. Sarah Kuhlman's work explores various aspects of bias as an insurmountable phenomenon that distorts the perception of information and imbalances collective knowledge. Imperfect Simulations by Anna Titovets Intektra explores the concept of "time" in today's "digital" world. A separate line of artistic research is based on the theory of hazard modeling (Threat Simulation Theory) of the Finnish psychologist Antti Revonsuo, in which he expressed the idea that dreams are not an accidental by-product of evolution. Their original function could be to reproduce and simulate dangerous situations of reality, giving additional experience. Birke Lou explores the history of Milky Way explanations and ponders the ability to distinguish fact from fiction. The work at MMOMA will be a continuation of the artist's research on the study of the Milky Way by humanity as an object in space. As a result of ten exhibition projects, the result of the study will be published in the author's book. The installation Local Power by the Aebersold x Handberg group describes the city as a living organism in which various processes take place between the government and the townspeople. Lucas Gutierrez views the process of waiting and narcissism as a constantly evolving form of human existence in space and time. In Sergei Kostyrko's work, computer vision algorithms for observing living things generate data that are then used to control an algorithmic musical composition. Group! Mediengruppe Bitnik examines the relationship of intelligent personal assistants - the brain of a smart home - with its immediate owner and how a person can rely on these semi-autonomous devices. The work of Roman Golovko is based on the moment of coincidence of 4 notes and the correspondence of the designation of their letter notation to 4 letters of the Latin alphabet, forming the word C A G E (cell). The chord from Do-La-Sol-Mi creates a massive sound canvas in which the word C-A-G-E sounds and a situation of collective artistic communication arises. Mikhail Myasoedov in his work reflects on how media art technologies can be used to relax and switch a person's attention from everyday routine experience.


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